Barefoot in the Kitchen…

“Barefoot in the Kitchen” Right Foot (dance step quilt square) #4 by Kay Jay (Stitched in Stone) January 2021

I know a man who fell in love with a woman with a Snow Shovel. She told him, music to her ears is a Senate hearing roll call, Knowing when to shut up and eat Piping hot cornbread and real maple syrup is an intimate conversation; So beautiful~ the shape of green bananas, they make her cry. And what is it about a Lily with a loaded pistil in it’s mouth that makes her remember grandma’s nursing home run by that awful woman named Hope?

When she takes her boots off, she ends up barefoot in the kitchen.

“White Rose Magenta Lily” (photo) By Kay Jay, November 2020
Dresses “Painting Roses” (Music Video) is being posted here for no commercial purpose.

Pine Needle…Bed Rock… Paper Cut… Ranunculus

“Needlepoint and Paper-Cuts” #1 (Ranunculus) mixed media by Kay Jay, March 2020
“Ranunculus” #1 (photograph) by Kay Jay, March 2020

My Love… is paper scissors bedrock, the potential of blank paper.

Same as knowing what it feels like to be a lodgepole pine and stand still in forests, while lovers carve hearts and initials

into me.

The trunk that forms a swollen burl after repeated shocks,

protective in the evidence of how obvious how innocent how intentional how sensitive

and adaptive

in the face of,

in light of… those arabesques

our pronouncement

and commitment

expressed through lucid but deep cuts

until I become your sweet cambium peels…

and sappy;

Reaching a perfect pitch requiring fire and heat to release…

upon a floor, blanketed in a cushion

of soft and sharp needles, patient

dripping sticky

sugar water; the same nutrition and poultice that eases you

more useful than firewood

I am revolving doorways and bay windows with bench seats that secretly open into chests full of books, the eaves and the rafters and the beams, and fences to climb over and railroad ties;

you chewing on my most succulent insides

each disturbance of habitat

sending sudden and bursting new

shoots

instinctive

resilient,

self aware and

persevering…

our roots; connected intertwined traveling

to and away, tethered and anchored,

from the rising and expanding

(history)

of seeing

of witnessing everything

change,

while Matisse acquires many paper cuts to float above his quilts.

He makes his choice of pink table cloths and lemons, goldfish swimming like tangerine crescents, caresses his favorite dove, never mentioning turnip country again,

or her flatness,

or her darkness,

or her wetness.

Instead he hands each intimate shape to Lydia and points, “There.”

She places his silhouettes, like she does her feet according to his dance steps,

a choreography set to the plunking piano keys as played

by elbows

making

love

notes

in bold colors.

Notes as crushing on

as charmed by

as composed and spontaneous as ranunculus

that speak easy underground same as do

victorian tea gardens.

He listens to how

his fingers fit like a glove into a pair of scissors no thanks and in part due to the industrial revolution

and dozes off,

slips

into dreams, a future

where your radio jazz

accompanies a bouquet

that throws confetti from my lap

in order to stop what I am doing to set them in water.

The Thelonious Monk “I love You” (Sweetheart of All My Dreams) music audio is being posted on Stitched in Stone for No Commercial Purposes. (Expanded Edition) ℗ Originally released 1964. All rights reserved by Columbia Records, a division of Sony Music Entertainment Released on: 2002-08-19 Composer, Lyricist: Arthur Fitch Producer: Teo Macero Drums: Ben Riley Composer, Lyricist: Kay Fitch Composer, Lyricist: Herbert Lowe Bass: Larry Gales Tenor Saxophone: Charlie Rouse

“100 Lashes” (You Reap What You Sow)

“Kisses of a Swallow Tale” (100 Lashes) mixed media by Kay Jay, January 2020

100 lashes against his cheek, impressing him with a flurry of

butterfly kisses, as I bat my eyes,

we talk about

sowing

delicate love; 

How it can survive frost because of what is deep down, 

chrysalis or seed~

all hibernations reflect this truth

and our listening,

although sometimes winging it,

emerges into swallowtails.

The Alicia Keys “Butterflyz” (music audio) is being posted on Stitched in Stone for No Commercial Purpose.
Butterflyz · Alicia Keys Songs In A Minor (Expanded Edition) ℗ 2001 Sony Music Entertainment Released on: 2001-06-05 Guitar: Gerald Flowers, Bass: Richie Goods, Recording Engineer: Kerry “Krucial” Brothers, Jr. Mixing Engineer: Gerry Brown